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menlove · 3 months ago

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"Life After the Bastards: 30 Years On, Macca Tells All"

"Blamed for the break-up for the biggest band in history, Paul McCartney downsized rapidly to cultivate a successful pop smallholding. Yet a bountiful solo career was always dominated by two famous partners, he tells Paul Du Noyer."

i said i'd do this ages ago and then the horrors happened, but this is a written up version of an interview by paul du noyer with paul mccartney from mojo's july 2001 issue.

sidenote: this seems to be the source for the claim that john thought "dear boy" was about him, which is why i bought the magazine because i haven't been able to find a digitized version of the interview and wanted to get the context. but it's a very fascinating interview just in general so it's definitely worth a read!

Wings were a band who seldom felt the feathery end of the critic's quill, but this year we're seeing Paul McCartney's biggest effort so far to rehabilitate the second most popular group he ever belonged to. He's released a double-CD and a documentary, both called Wingspan, that tell the story as he would like it told. And you soon realise that there's more than a muso's pride at stake in this project. "The great thing is," he says, "it vindicates Linda. I know she wanted to do the Wingspan thing. She knew if it was laid out correctly, people would get the idea. With all the slagging off she got, like the famous tape at Knebworth..." (This illicit cassette, from the mixing desk of a live show at the outdoor venue, was for years a dependable source of satirical mirth in music business circles; Linda McCartney's off-key vocals circumnavigate the chorus notes of Hey Jude, while anonymous engineers hoot cruelly.)

"The truth was," her loyal widower continues, "she was doing this (he stands, raises his hands to clap above his head). She was being the big cheerleader: 'Hey Jude, naah-naah-na.' But you don't see the visual, you just here this out-of-tune voice, and I know she always wanted the record put straight. And this does. You see her playing. You hear her singing beautifully. And you see what she was to the group. You see why she had to be in the group. She becomes the ballsiest member of it..."

He settles back on the sofa, here in the Soho office of his MPL company. Around his neck is a slim pink tie of the kind that Elvis used to wear. On his feet are trainers that look less like a gesture to trendiness than a concession to comfort. Just behind him is the Art Deco statuette that appears on a couple of Wings LP sleeves. The other great thing about the Wingspan film, he says,was being interviewed by his daughter Mary. (That's her face you can see, peeping out from Dad's jacket on the cover of the first solo LP, 31 years ago.) "I'd never had such a long natter with her, as doing this. And I used to say to my kids, You're the only ones who never ask me about The Beatles. Their friends would come round and say, 'What was it like being in The Beatles?' I'd go (adopts pompous old git voice), Well, let me tell you... And my kids would all go out the room: 'Oh bloody hell, he's off...' That's how kids are, they don't want to hear about that shit. But their friends would, so I'd chunder on..."

In fact he chunders on about The Beatles a lot more than you might expect. Or about one Beatle in particular, at least. The World's Most Famous Living Liverpudlian is anything but reticent when it comes to the World's Most Famous Dead Liverpudlian. It's quite contrary of him, because for the first 20 years after the group split up, he showed a stubborn reluctance to discuss the subject with his interviewers. They wanted to ask about John Lennon; he wanted to discuss Back To The Egg... Then came a reconciliation with his past that culminated in the Anthology exercise, when the moratorium on Beatle-talk was entirely lifted. And now, in 2001, when the promotional agenda has switched back to Wings, you almost have to coax him off the subject of John Lennon. Is it just force of habit, or maybe the need to exorcise some kind of long-nosed, bespectacled, sharp-tongued ghost inside his head?

Taste restrains Paul from claiming any posthumous victories over John, though it's no secret that he still has some differences with Yoko that are as wide as the Atlantic that normally separates them. But he can't resist smiling at the irony of Lennon spending his last few years championing the sort of domestic cosiness that was once a derided part of the McCartney stereotype.

"Yeah, it's lovely. But you're right to say they were stereotypes. Everyone thought John was the hard, working class hero. As you know, if you look at his house, he was actually the middle class one, from Woolton. We were the scruffs. He had the full Works Of Winston Churchill: nobody any of us knew had that. A set of encyclopedias was the most that anyone in our class had. But he had The Works Of Winston Churchill, and he'd read 'em, I think.

"There were so many stereotypes of John. And I love the fact that in the end- it's one of the great blessings of my life, seeing as he got shot- that during the last year, we made it up. Thank God for that. I would be just so fucked up now, if I'd still been arguing with him and that had happened. I was thinking about it just the other day. It was cool that I'd started ringing him. We'd had a bread strike over here and I rang him and I was saying, What are you doing? He says, 'I'm breaking some bread.' Oh! Me too! Imagine, with the stereotypes, John and Paul talking about baking bread. He'd just had Sean, and he was talking about just padding round the apartment in his dressing gown, putting the cat out and changing the baby.

"And I'd been doing all of that, and as you say, I'd been stereotyped for it. It was really warm to be able to talk to him that ordinarily, finally. It was like we'd got back to where we'd been when we were kids. It was like we could actually talk about stuff that didn't matter, but somehow it did matter..."

Back in 1970 neither John nor Paul, nor George or Ringo, would find The Beatles an easy beast to walk away from. Paul and Ringo seem to be at peace with it now; John would probably have become so; George never has. Besides the legal wranglings and the personal rancour that persisted between them for a while, there was the unique problem of getting used to living in a world that you no longer ruled.

Pop in the 1960s was like a pyramid. At the top obviously, were The Beatles. Around them and just below, were Dylan, the Stones, the deposed King Elvis, and so on down to the broad base of innumerable also-rans. But pop in the 1970s was more like range of mountain peaks, topped by anyone from Elton John to the Sex Pistols. There was also no unified hierarchy any more, and there hasn't been one since. McCartney can't have found the new world order an easy proposition. But he overcame his doubts the same way that he overcame his blacker periods in The Beatles. In other words, he worked.

It's one of those first post-mop top albums that we discuss in detail today. McCartney (1970) and Ram (1971) were curiously anti-climatic in their day. The first was home-grown, small-scale, contentedly modest, like a record made for his private diversion. The second was sprawling and eccentric, full of unfinished tunes and nonsense rhymes. This was an era when former Beatles were still expected to return from the mountain bearing tables of stone (which Lennon and Harrison certainly attempted to do), not these gaudy, giggling indulgences. Three decades later, McCartney and Ram have endured far better than anyone expected.

It's typical of McCartney, though, that he's still insecure about their worth. He has a peculiar, wrong-end-of-the-telescope way of assessing his talent. He tries to talk up McCartney by telling you that "Dave Stewart really likes it", or boasts that a hippy van driver once yelled across the LA traffic, "Ram! Great album dude!" Recently his girlfriend Heather Mills put it this way: "He is a genius but doesn't realise it, which is delightful."

Towards the end of The Beatles you were dying to get back to playing live in a band, weren't you? But your first move is to go the opposite way and do a totally solo album.

Yeah. I couldn't have another band because I wasn't sure The Beatles had actually broken up. It was on the cusp: we hadn't broken up when I started it, so it was just me doing some solo stuff. And then we had broken up, but things hung on. It basically started from John's decision to leave the band, which came when I said I think we should get back together and do some little gigs. And he said, "Well I think you're daft and I wasn't going to tell you until after we signed the Capitol deal but I'm leaving the band." (Mimes an axe falling) That was, like, The Moment The Beatles Broke Up. But it wasn't in the open until a few months later, when I issued the McCartney album and did this press release with it, which virtually had the announcement. I finally blew the whistle on it. And John was annoyed, even though he hadn't said anything. It turns out, he told me later, that he wanted to be the one who announced it. He was jealous that I beat him to it. But I felt that three or four months was enough to wait around. Either we were just going to fuck about for another year, or we had to actually say to people, "You know what? About three or four months ago we actually broke up." So that was how that happened.

So in your head, The Beatles were still together when you were making McCartney. Whereas the outside world heard it as "What Paul did after leaving The Beatles." I think it seemed a strangely low-key record, as a result.

No. It was on the cusp. There were a lot of funny things around at the time. Allen Klein: he was the one I wanted to sue to get out of it all. But everyone said, "He's not party to any of the agreements, he's just an outside guy. So you'll have to sue The Beatles." So I got into this terrifying thing of having to sue them, scared more than anything of the fact that, as you say, people would just see this album come out, hear my announcement and then hear I was suing The Beatles, without knowing any of the context. So I knew I was in for problems. And I tried my best in the press to say, "Oh, blah blah blah, it was Allen Klein, blah blah." So it was a shitty time for me. The only option was to either let him take it all, and the guys just swim along with him, or fight it. He said I was fine, "Don't worry, McCartney loves me" and all of this. And I knew I was hating the bastard. But to get out of him I had to sue the guys. And, as you know, Liverpool, the mates, no matter how much we were arguing, it's one thing you don't ever want to have to do. So I knew the perception of me would, like, be deadened from there on in. And I suppose in many ways I've been fighting that for 20 years. But it was a clear choice: do that and possibly save it all- or even lose it and pay the lawyers' bills, which was not a terrific option- or just let Klein take it all. 'Cos the others were just with him, gung ho. So I took the option of suing him and had to live with that perception, including: "This is what Paul's done as his first move after leaving The Beatles." Which was actually the nicest bit of the perception: I did an album after The Beatles, so what? The worst thing for me was, I sued my best mates. But the thing is, looking back on it, they now say "Thank you, you got us out of it, we wouldn't have Apple, there'd be no Anthology, no I record, it'd all be in someone else's pocket now." It was the right thing to do, but I knew I was walking into the Valley of the Shadow of Death. Very scary, but it was one of those moments in your life when you have to do it.

And, of course, we were hearing McCartney just after Abbey Road, which was at the opposite extreme.

Very produced, yeah.

Despite the problems going on around it, McCartney sounds a pretty cheerful affair.

Yeah, it was, because of Linda. I was just starting with Linda and in my mind the album was my escape from it all. I'd get home, new baby, that joy... any readers who've got a new baby, it transforms your life. I hadn't had a baby before, though we had Heather from Linda's first marriage. Home was a great solace for me, and making this record was "Yeah, this is what I love to do." The rest, outside, was shit, but coming inside it was like a little cocoon. So I either made the album all at home or went down to a little studio in Willesden. Lin and the baby in the control room. Young married life is a very special time. And I always liked doing things on my own. I was the kid in Liverpool who sort of went on a bus to the next stop, to Penny Lane, and got off and just looked around: "Who lives there?" I still like that, it's in my personality to just go somewhere and watch people. Last night I took the Tube home. We went to the theatre, couldn't get a taxi anywhere in the West End. I really get a charge off that. George never used to. His dad was a bus driver. I'd say to him, even when we were famous, I love getting on a bus. He'd say (astonished), "The bus? Why? You've got a car!" But you're just looking at people. And now of course, with fame, they're looking at me a bit.

There's one or two on the Tube last night, cracking up laughing. Guy in a baseball cap, decides he's got to cool himself out, pull it together, gets off at the same stop: "All right mate? Good luck!" So that's where the record got its happiness. And when the time came to release it, I finally had to deal with Mammon, which was Apple. Ring them up and say, "Er, can I have a release date?" Neil [Aspinall] gave me a date. I was kind of boycotting Apple, and Suddenly Mammon decided to change my release date for (adopts sarcastic tone) the massive Let It Be album. And I'm, "You fucking bastards! I've got a release date worked out! How can you do this?" I can't remember what happened, but I certainly shouted loud enough. So it was Rage Against The Machine, me against them. That's why it was a good album for me, and it's pretty funky, some of the little pieces like Momma Miss America have a great sound on them. I was like a professor in his laboratory. Very simple, as basic as you can get, a joy to make. (Scans the tracklist) Teddy Boy was good, I'd tried to make that with The Beatles but no one was having much patience with me. Maybe I'm Amazed was about the biggest song on it. And Kreen-Akrore was about an Amazon tribe I'd seen, who were fighting for survival, I went into the studio and recorded the sound of a bow and arrow going past the mike. Even now that album has an interesting sound. Very analogue, very direct.

The next album, Ram, is famous for its supposed attacks on John and Yoko, isn't it?

Well, Too Many People was a bit of a dig at John, because he was digging at me. We were digging at each other in the press. Not harsh, but pissed off with each other, basically.

Have I misheard, or does it really start with the words "Piss off"?

Yeah. Piss off, cake. Like, a piece of cake becomes a piss off cake. And it's nothing, it's so harmless really, just little digs. But the first line is about "too many people preaching practices". I felt John and Yoko were telling everyone what to do. And I felt we didn't need to be told what to do. The whole tenor of the Beatles thing had been, like, each to his own. Freedom. Suddenly it was, "You should do this." It was just a bit the wagging finger, and I was pissed off with it. So that one got to be athing about them. Once you start, the ball starts rolling. There was a picture that we had for Hallowe'en of the two of us in silly masks that we picked up at a kids' shop in New York. I'm Wimpey out of Popeye, and Linda was another character which looked a bit Oriental. We heard later that they thought that was a dig at them, but it actually wasn't. So when John did a piss-take [in a postcard given away with his Imagine LP], he held a pig instead of the ram. This wasn't posed. Me and Linda decided to catalogue all our sheep, so there's a photograph of me holding every bloody sheep in the flock. Over 100 of them. I was supposed to be cropped out.

Is that where the title came from?

I remember driving up to Liverpool at some point and deciding that Ram would be a good title for an album, then the picture came, and you can "ram" a door down, and a "ram" is a male, like a stag. It just seemed like a good word. Monkberry Moon Delight I liked, so much so that it's in my poetry book. "My long-haired lady." Very '70s. Ram On is a cute little thing on a ukelele, 'cos I used to carry one around with me in the back of New York taxis just to always have music with me. They thought I was a freak, those taxi-drivers. Uncle Albert/Admiral Halsey was an epic thing, a Number 1 in America, surprisingly enough. I like the bit that breaks in: "Admiral Halsey notified me, da-da-da, had a cup of tea and a butter pie." It's a bit surreal, but I was in a very free mood. I like all of that. It must have freaked a few people, 'cos it was quite daft. Back Seat Of My Car is very romantic: "We can make it to Mexico City." That's a really teenage song, with the stereotypical parent who doesn't agree, and the two lovers are going to take on the world: "We believe that we can't be wrong." I always like the underdog.

I think John might have taken Dear Boy as an attack on him.

Dear Boy wasn't getting at John. Dear Boy was actually a song to Linda's ex-husband. "I guess you never knew what you had missed." I never told him that, which was lucky, because he's since committed suicide. And it was a comment about him, 'cos I did think, "Gosh, you know, she's so amazing, I suppose you didn't get it.

The LP sounds like you had more tunes lying around than songs to use them in. A lot of the tracks are like medleys of different ideas.

Yeah, Long Haired Lady goes off a bit, Back Seat Of My Car goes off a bit, Big Barn Bed comes off Ram On, that's right.

No writer's block at that point, then?

No, I've been very lucky about writer's block, touch wood. It occurred to me the other day that me and John never sat down on, what was it, 295 songs me and John wrote? And on those 295 occasions, we never came away without a song, which is fucking phenomenal. The only time we nearly did, was Golden Rings, which became Drive My Car. It was "duh-duh duh-duh golden rings..." Um, this is not gonna compute. Finally, we had a ciggie and a cup of tea and our humour came back and Drive My Car came out of that. Some people analyse songwriting. I've never known about it. It's fingers crossed, every time I sit down to do it. I just dive right in and hope for the best, and it seems to work.

Were you feeling in competition with the other ex-Beatles, now?

Yeah, we were all in competition. Which was a weird thing, trying to avoid each other's release dates, like we'd avoided the Stones' release dates in The Beatles. When John or George released an album, I'd check it out, to see where he was up to. I think the truth, as a lot of people have said, is that we were missing each other. We missed the collaborative thing, of John saying, "Don't do that" or "Do that". Sparking each other off. For a while I was certainly very conscious of it. The only good thing was that I had been writing without John for a while, towards the end of The Beatles, so it wasn't as bad as it could have been. It was still a pretty big shock just not to be hanging out with these guys. 'Cos I'd hung out with them since I was 17.

Even when you were not writing together, on later Beatles records, there must have been a stage in the process where the others listened to your songs, and vetoed them or otherwise.

Exactly. John brought me Glass Onion. I remember him out in the garden in St John's wood saying, "What do you think of this?" We would just run it past each other, like you would run it past a mate or a producer. And he actually asked me, "D'you think I should put in this line about the Walrus was Paul?" I said, Oh yeah! It's brilliant. I just generally tended to agree with his stuff, and he tended to agree with mine- like in Hey Jude, i was going to knock out that line about "The movement you need is on your shoulder." He said, "You're not, that's the best line in it." So, often it wasn't negative but bolstering each other up. I might go through the whole studio experience thinking, This line's not right. But the minute he'd signed off on it, I thought, This line is ace! Similarly with him and Glass Onion. It was the strength of unity.

It's always striking that, of the four solo Beatles, George and Ringo got off to the strongest starts.

Yeah, George's All Things Must Pass. As he said, it was just like a diarrhea, he must have held it in for so long. And he had Phil [Spector] and a lot of really good people. And George was just so pissed off with us. I mean, all that anger just came out. Which is a good thing for an album, the "I'll show you" factor, which I had later in Band On The Run, when two of the members left the night before. So George and Ringo did get off to very good starts. John and I took it a bit hard, but all in all throughout the years we all did pretty well as single acts.

You formed a band for Ram, but it's not yet Wings.

Not yet, no. Denny Seiwell turns out to be in the band. Hugh McCracken who plays on a lot of it, who was nearly in the band. He came to Scotland to rehearse, but he was such a New York guy that he didn't really like to be away from America, and I can see that. New York is such a satisfying town, you can walk one block and get anything, whereas you can't do that in the Mull of Kintyre...

The first official line-up of Wings, which makes Wild Life, includes Denny Laine.

Denny came from The Moody Blues. I'd seen him when were out on tour with The Beatles and we'd played with them. My enduring memory is of one night up in somewhere like Edinburgh on tour, we'd had a few drinks and we decided that The Moody Blues would play The Beatles at snooker on this very beautiful, full-sized snooker table. Instead of being sensible and playing one at a time against each other, in a kind of league, they all got on one end of the table and we all got on the other, and I'm afraid the table got trashed. Oh shit. So I knew Denny, I knew we could get on personally and I liked his voice, particularly from Go Now, which I championed. I remember taking that around the BBC in its early days and saying, "Have you heard Go Now by The Moody Blues? It's my favourite record of the moment." And those producers would take notice of us. I was also used to having another lead voice in the group with me, so Denny became that.

And this time there's a friendlier song for John.

Dear Friend was to do with John, a bit of longing about John. Let's have a glass of wine and forget about it. A making up song.

Finally you do what The Beatles wouldn't agree to do, and get back on the road.

It seemed to me that for a band it's essential. We'd given it up in '67 with Sgt. Pepper when our new decree was, "The record will go on tour and we won't. We'll make a great record and send that out instead." But what happened after that was, we made some good records, but missed the stimulus of going out on tour. We missed seeing the whites of their eyes and getting a reality check: "They liked that one, they didn't like that one." And we hadn't done it for so long that my choice was, Either give up music, or continue to make it. I wanted The Beatles to go out as a live band, therefore I ought to go out as a live band. So we got a band and hatched the plan of going out on the university tour. Didn't want a big supergroup, a Blind Faith-style thing. I wanted to try and learn the whole thing again, hopefully learn some new things, rather than just repeat The Beatles things, which had all been done, and been about as successful as anyone in the world was ever gonna be.

But you took the informality to extremes, not even booking hotels.

No gigs or hotels or anything. Looking back, I can't believe we did that. We had the van, the dogs, the kids, and it was just madness. It was like I'd never been in The Beatles, I couldn't rely on any of that fame as a crutch. We went up to these universities, and fate had it that a lot of them were having exams. We didn't ring them up and ask if they'd be ready for us. And the other thing was we walked into power cuts: it was the time of the Great British Three Day Week. My image now is of trying to find our way around the dark North with a torch. Is anyone in? Like trying to find a gig in a mine. But we found a couple. Nottingham was one. Lancaster we played. Newcastle City Hall. Durham. When we did find places it was really cool. The students had a good time.

And you had the unfamiliar experience of handling money again.

Yeah, it had all been cheques and accounts and stuff, bank statements. And suddenly it was 50p on the door. So we came away with these bags of coins, which reminded me of Peter Sellers in Tom Thumb: One for you, two for me... We just counted them out in the van afterwards. Good experience, going through all those hardships, and it got us together as a band.

But that line-up wasn't to last, and nor did any Wings line-up. Why?

I've never actually thought about it. I know it happened but I've always blanked it. Probably, in my mind, a band is a democratic unit. Everyone has an equal vote, and in The Beatles for 10 years that had been the case. So if Ringo didn't like one of our songs, which wasn't often, Ringo could veto a Lennon & McCartney song. That meant everyone felt good about themselves. But in Wings that wasn't the case. I was the ex-Beatle. So I saw myself as the leader of the group, which I'd never been in The Beatles. There wasn't a leader in The Beatles. People had said that John was, and later people had said that I was, but neither of us ever acknowledged it. It wasn't the deal. People would ask, "Who's the leader of the group?" We'd say there wasn't one. I think once or twice in Hamburg, in the early days, John said, "I am." But we got pissed off, so it became a democracy. But Wings wasn't. It wasn't a dictatorship, but we weren't all equal.

By the '70s there was suddenly lots of other big acts: Led Zeppelin, T. Rex, Bowie, Pink Floyd, even The Osmonds in their way, or Abba. Was it difficult, as a Beatle, to adjust to the new landscape?

I knew it was going to be difficult. There was this thing of Follow The Beatles. You found yourself just one of the acts in the Hit Parade, rather than the undisputed leaders. But I knew by starting the group from scratch that we had to work our way up So anyone like Zeppelin or Bowie who'd been building during the '60s and had now arrived, naturally took precedence. You just had to understand that there are people bigger than you. And it gave us a benchmark. We thought, "We'll be as big as you one day." It was very weird for me, starting all over again. But it wasn't the world's worst thing. It was quite sobering, really. It's good to be knocked off your perch. There was a lot of that with Wings. Not only was I doing things for myself with the band, I was personally doing things for myself, living up in Scotland, mowing the field with my tractor. In The Beatles, the office used to buy your Christmas tree for you. Now I was buying my own Christmas tree. I enjoyed that . It's unhealthy to think you're the big cheese all the time. Within The Beatles, we each reminded each other that we weren't. But I think there is a big risk with stardom. I'd ring up a restaurant and say, Have you got a table? "Sorry sir, we're full booked." It's Paul McCartney here. "Oh! Certainly, Mr McCartney!" I've never been comfortable with it.

It seemed like you were uncomfortable with The Beatles' legacy for most of your time with Wings.

The thing about Wings was we bought into the myth that it could never be as good as The Beatles. I knew it was the world's most difficult thing to bite off. Everything we did was in the shadow of The Beatles, which had recently been this phenomenal band. So we did everything with quite a lot of paranoia. And it's only on looking back, that I think we did a lot of great work. You look at '76, we have this big, big tour, and at first everyone wants to know, "Is this gonna be a Beatles reunion? It's rumored that McCartney blah-blah-blah, George Harrison and Ringo Starr are going to join him on-stage, and John Lennon blah-blah-blah." So it was rumoured The Beatles were going to re-form. Even in our most successful year they were taking our success off us. It was, "Well maybe The Beatles will re-form, that would be good." But the great thing was that three weeks into the tour it was suddenly, "Who cares?" It doesn't matter. This is a great band. And at the end of it we go and set some big world record. So that's good to see. We did this thing that we set out to do. And we needn't have worried.

#paul mccartney #the beatles #wings #mclennon #this whole interview was super fascinating tbh....#like all the insane paul & john quotes aside it's just very interesting #i lost it at the story about the beatles vs the moody blues game of snooker lmfao #also saying here I don't think this is nearly enough to say john thought dear boy was about him #I think the interviewer maybe meant too many people bc that's what they were talking about before #did briefly go 'I should email this guy' and then I sat there like girl it's NOT that much of a mystery put it down

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felassan · 2 months ago

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Excerpts from [this] Entertainment Weekly article:

"[Jennifer] Hale believes one of the biggest misconceptions about what they do is the skill required. "The work we do in games — this does not cover performance capture but in voice capture — is 85 to 90 percent cold reading," she says. "The entirety of Mass Effect, I saw no line before the moment I recorded it. It was all cold reading on the spot. A couple takes, maybe a few, and it goes out to market. That's it." She notes that this scenario isn't much different even now. "So voice performers have to be incredibly skilled in the game arena, even more so than in other arenas," Hale continues. "It's extraordinarily demanding." With Mass Effect, one of her more widely recognized projects as the voice of Commander Shepard, Hale remembers a specific experience when she attended the 2010 Spike Video Game Awards (a predecessor to today's Game Awards) as a nominee in the "Best Performance by a Human Female" category. "A voice performer was very much treated like the utensils on the table," she describes. "I really appreciated being invited, but I had an experience where I waited and waited and waited for my category to be announced. I had a 6-month-old at home who I was still nursing. I really was watching the clock. I finally sought out the stage manager toward the end of the show. He goes, 'What's your category?' And I told him the category. He said, 'Oh, we taped that earlier with the winner.' The dismissiveness of it — definitely I felt that.” However, Hale prides herself on the discipline she developed over time to focus less on those moments and more on the wins — and there have been clear wins in changing the perception around the acting part of the craft, something she has seen happen more in the past five to seven years." [...] On the same topic, Hale looks back to the evolution of voice acting between the releases of Mass Effect (2007) and Mass Effect 2 (2010) alone. "In the beginning, the visuals technologically were where they were, and we had to be slightly presentational to push what was happening," she notes. "But as those visuals became so much more hyperrealistic, we could actually drop back and do one of my favorite things. Thought registers on camera. Now we're in the space where we can relax and allow thought to just register on the mic." [...] [UPDATE: Just hours before this article went live, SAG-AFTRA told its members in a memo that the companies' latest proposals contained "alarming loopholes that will leave our members vulnerable to A.I. abuse."] Newbon agrees A.I. is a real problem, but folks like Hale and Goldman aren't so concerned with A.I. replacements. They're confident players are more prone to connect with a character if there's a real performer behind it. Kniebihly agrees. "There's no doubt that the industry is going through a challenging time. Layoffs, budget cuts, and uncertainty have made it clear that nothing is guaranteed — even for successful studios," he says. "To me, what makes this job interesting in the first place is that weird, intangible chemistry between an actor and a director. It's the trust at the core of that relationship that pushes everyone to give the best of themselves and creates more than the sum of its parts. And I'm not going to get that from A.I. anytime soon.""

[source]

#bioware #mass effect #video games #long post #longpost

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just-my-latest-hyperfixation · 5 months ago

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Someday my prince will come

Written for day 30 of the @steddieholidaydrabbles and the 12 Days of Christmas bonus card of the @steddiebingo

Prompts: Sing & Movies

Rated: G

Tags: Post-Vecna; Pre-Steddie; Everybody lives; Injured Eddie; Hospitals; Eddie has a crush on Steve; Accidental love confessions

Notes: I wrote this, then googled the release date of the VHS and realized it didn't come out until 1994. Shut up, this is an AU now. 🤣

A high-pitched trill pierces through Steve’s foggy mind. He jerks awake and almost topples from his chair, hands grasping for his nail bat, for his ax, for anything. It’s the goddamn bats again, or police sirens, come to take Eddie away. He won’t let them, they’ll need to kill him before-

It’s not the bats or the police.

Someone is singing.

The realisation leaves him floundering and confused, even as the adrenaline slowly seeps from his body. Why is there a random woman singing operas in Eddie’s hospital room in the middle of the night?

It takes him a few seconds until he makes out the source of the music: the television set in the corner of the room.

The hospital doesn’t have video recorders, usually, but it quickly turned out that Eddie liked having noise and lights around, even during the first few days, when they weren’t sure he’d ever wake up. They tried the local stations at first, but the news are still full of Eddie’s face and murder allegations, and Robin needed to pry the remote from Steve’s fist before he could crush it. So Dustin brought in the video recorder, and everybody pitched in with their favorite movies, so that the hospital room never needed to be quiet.

Right now, Snow White is singing to the seven dwarfs about how her prince will come someday.

Who the hell picked that kitschy shit?

Steve cringes as she hits another ear-piercing note and turns to the nightstand to find the remote.

And that’s when he sees that Eddie is awake and watching the screen. His pupils are large and unfocussed, but he’s smiling. It’s small and hesitant - a mere ghost of the bright, bold thing from before - but it’s the first smile Steve has seen on him since they brought him out of the coma.

The song continues.

“I love this one,” Eddie says after a second or two. “We have it at home.”

“Oh,” Steve says, realization slowly trickling in. This probably is the very copy Eddie is talking about. Wayne must’ve brought it. Must’ve dug through the rubble and debris that used to be his home to unearth this tape for his nephew.

Eddie just keeps watching the movie and humming along with the song. It comes out raspy through his shredded throat.

“Haven’t watched it in a long while,” he whispers. “Thought I was too grown up for it. And ‘sides, fairytales never come true, right? No Prince Charming for me.”

“Eddie,” Steve says before he can stop himself. The hand that was just reaching for the remote grasps for Eddie’s fingers instead. Eddie’s eyes shift over to him and that smile goes a little wider. It makes one of his dimples appear.

“But now you're here,” he says. His voice is getting slurred from using it so much. “What took you so long, huh?”

Steve blinks. Oh God, is Eddie mistaking him for the stupid prince from the stupid movie? He looks a little bit like him, he guesses - if you’re high on pain meds and stuck in a dark hospital room, that is. He opens his mouth to tell him the truth, but Eddie tilts his head in the pillows, eyes stupidly large and dark, and the words die on his tongue.

“Sorry,” he shrugs, ignoring the red-hot blush that’s rapidly overtaking his face. “Got a bit delayed. You know how it is.”

“‘s okay,” Eddie nods graciously, then frowns. “Where’s your horse? ‘s it not allowed in the hospital?”

Steve quickly disguises his snort of laughter as a cough. Eddie’s brow wrinkles.

“Um, yeah,” he says. “Had to leave it outside in the parking lot. Stupid hospital rules, right?”

“Right,” Eddie agrees, and tries to lean in for a conspirational whisper. He’s still too weak, so Steve ends up bending down until his ear is nearly at his lips. “This place sucks. Stupid nurses won’t even let me have a smoke, can you believe it?”

They both laugh, only that Eddie’s turns into a cough real quick.

“Don’t worry,” Steve says, squeezing his fingers gently. “We’ll get you out of here in no time. You can stay at my place for a bit, I have it all figured out.”

Eddie freezes.

“Oh,” he says, and suddenly he sounds all dejected and fearful. “That’s right. I need to�� tell ya somethin’.”

“Huh?” Steve says, resisting the urge to sweep a stray curl out of Eddie’s face. “What’s that?”

Eddie sighs. It turns into a yawn halfway through. “You took so long to show up and … I wanted t’ wait for you, I really did, but … There’s someone else. Sorry.”

Steve feels his frown melt into a smile, even as his heart gives a little tug.

“Hey, that’s okay,” he says. “Are they good to you?”

Eddie bobs his head up and down, motions jerky and uncoordinated. Steve can tell he’s about to fall back asleep.

“He’s brilliant, man. S’much more than I gave’m credit for. Kind and generous and brave and strong. Carried me outta that shithole all by ‘mself. And the way he tore that bat apart with his teeth? Holy moooh-... “ He yawns again, long and drawn-out. “-ley.”

Steve doesn’t say anything. He thinks Snow White has finished her song by now, but he can’t be sure. The rush of his own blood in his ears is too loud.

“Eddie, I-” he croaks after what seems like an eternity, but the only reply he gets is a long, hearty snore.

It’s okay, he guesses, brushing Eddie’s hair from his face before leaning back in his chair and focussing back on the movie. He’ll tell him some other time, when he’s feeling better and more clear in the head. It may still take a while, but until then, he can be patient.

He’ll make it worth the wait for both of them.

More holiday drabbles

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#steddie #steve x eddie #steve harrington x eddie munson #steddie fanfic #steddie brainrot #fanfiction writer #fanfiction #fanfic #my writing #steddie holiday drabbles #hype's holiday drabbles 2024 #steddiebingo12daysofchristmas #hype's steddie bingo

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deepestnightcolor · 1 year ago

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☾ ᴡʜᴀᴛᴄʜᴀ ɢᴏɴɴᴀ ᴅᴏ – ᴡʜᴀᴛᴄʜᴀ ɢᴏɴɴᴀ ᴅᴏ ᴡʜᴇɴ ᴛʜᴇʏ ᴄᴏᴍᴇ ꜰᴏʀ ʏᴏᴜ? ☽

ᴀ/ɴ: Today's smut is sponsored by this dialogue I had with Sebastian at the luau and Mayor Lewis's purple underwear. Curious? You shall read on, then! I hope you enjoy, and thank you for your time! ✧

ᴘᴀɪʀɪɴɢ: Sam (SDV) x Fem!Reader

ᴡᴄ: 3669 words

ᴍᴅɴɪ ✧ ᴡᴀʀɴɪɴɢꜱ: exhibitionism, unprotected sex, creampie, name calling, dirty talk, spanking, mentioning of body painting, Sam's being a rebellious twat and vandalizes stuff.

Living in Pelican Town for over a year now has taught you a lot, but three things had proven to be quite interesting. For one, the whole community had seemingly been held together by nothing more but metaphorical spit and duct tape before you had arrived and had desperately needed your help without letting you know what you had actually signed up for. Secondly, the people in this town were incredibly easy to bribe with gifts, especially when you added a sweet smile on top. And third, this town was basically dead during the night. After 8 PM, most doors were locked tight, and the streets were empty. This information wasn’t necessary for your work as a farmer, and it certainly didn’t help you with it, but to you, it was an important piece of knowledge. You adored strolling through the streets late at night like a stray cat because it was the only time of the day when you didn’t have to expect someone calling your name or even stepping in your way to have a chat. The night belonged to you, and only you. Or so you thought.

You were wandering through the darkness of the night, enjoying the occasional hoot coming from above you when an owl flew past and the flapping of bat wings cutting through the air. The sounds of the night soothed you; the darkness gave you a sense of security – it was like a cloth wrapping around you, shielding you from the world unless you scared it off with a source of light. It made you feel invisible and seen all the same, valuable, and yet so breakable. Raw emotions you could really allow to settle during the dark hour, emotions that drowned in the buzz of the day.

When your steps passed Lewis’s house a hissing sound met your ear. Stopping in your tracks, your eyes snapped over in the direction you had thought the sound to come from, brows knitted together in a frown. A snake? You had never seen a snake in Pelican Town, or any place in the valley, really. Yet there it was again, a cold hissing sound, slicing through the silence of the night. Before you could really make a decision on what to do, your curiosity had already gotten the best of you. You quietly stepped towards Lewis’s property when you heard another hiss. It was longer now, drawn out as if to make a point. Had the animal already taken note of you and was now threatening you? Yet as you took another step closer and peeked over the picket fence, you saw a figure hunched over right in front of the old pick-up. The size certainly didn’t seem fitting for a snake, unless it had decided to mutate and then break into Alex’s room to eat up his stash of protein bars. Still, the shadow was hissing quietly, and it didn’t look like it had noticed you just yet. You pulled out your phone carefully and tapped the flashlight button, shining the cone of light onto what you had thought to be a snake. The ”snake” was wearing all black, and whipped around faster than you could have opened your mouth to ask what the hell they were doing there. You had always been taught to expect the unexpected, but you would have never guessed that you would find Sam hunched over in front of the mayor’s car with a spray can in his right hand and an expression of unsureness on his face. Sam, who babysat his brother on the beach so he could build his sandcastles, Sam who crouched down to talk to kids, Sam who listened to “I’m Just Ken” while working at Joja. Your boyfriend Sam.

“What the fuck are you doing there exactly, Sam?” The blond had been squinting against the light up until now, but when heard your voice, his face visibly relaxed. “Babe, oh fuck, it’s you,” he breathed, letting out a small, airy laugh. You swallowed, quickly making your way over to the blond, flicking your fingers against his forehead. “Yes, it’s me. But it could have been Lewis. Whose property you are on, doing something to his car, may I add,” you whispered back, watching your boyfriend squint against the light again, and nod. “I know, I know, but I ordered these spray cans on sale, and they just came today, and I just saw an opportunity-“ “Opportunity to do what?” Instead of answering, Sam’s blue eyes slowly flickered to the hood of the car. You furrowed your brows at him, even though you were pretty sure that he couldn’t make out your face. “Sam, you shouldn’t be here. Especially not with spray cans,” you scolded, shining your light on where Sam was looking.

You opened your mouth again, about to scold the blond again, but it was hard to form words when you had to resist the urge to break out into laughter. A pair of undies was revealed under the shine of your flashlight, purple in colour and ready to be seen by the whole community. You had seriously thought you had been discreet when you had returned them to the mayor, but it hadn’t been your fault that he dropped them when Sam came into the townhall after you.

“You are an idiot,” you whispered to him, a giggle slipping past your lips. Sam grinned up at you, his head tilting to the side. “Maybe I am, but so far, I am an idiot that hasn’t been caught yet. So could you please…?” You nodded and knelt next to the rebel, turning off the flash that had bothered him. He let out a sigh of relief, and despite the darkness, you could make out the mischievous glimmer in his eyes.

“How does one even come up with shit like this?” you asked, your hands wrapping around his shoulders. Sam grinned at you, shrugging his broad shoulders. “I thought he deserved it. Treatin’ his woman like shit because he’s a coward. Thought he should have the need to explain himself…” “Standing up for Marnie? Hot,” you chuckled, flicking his forehead again. “But I doubt this stems from nothing but nobility.” Again, his pearly whites flashed through the darkness. “Okay, maybe I thought him pissing his pants when he sees this would be incredibly funny.” “There we go,” you laughed quietly, pressing a quick kiss to his lips. You had to admit, seeing Sam like this was…interesting, to say the least. You hadn’t expected him to act up in such ways, much less plot an act of rebellion like this – he hadn’t even forgotten to cover his blond hair with a beanie. For some reason, it made you lean in and press a small kiss against his lips. You had planned on pulling away, but before you knew it, you felt yourself being pulled onto your boyfriend’s lap, his tongue licking over yours. Were you into bad boys? Or was it just the unexpected rebellious side of Sam that broke through the seemingly peaceful façade Pelican Town tried to keep up, shaking its rhythm to the core? You couldn’t quite put your finger on it, but what you were very aware of was the fact that his lips tasted just so good.

You pulled away after a while, taking his paint-smeared hand in your own as you got on your feet. “Let’s go, then, before my idiot and I get caught,” you panted, plans on what you would do with Sam once you had reached the safety of your bedroom already forming. However, Sam sat still. You tugged at his hand once more, hoping he would cave and follow you, a smile tugging on your lips when you saw him rise. However, you definitely didn’t expect to be pulled into Sam’s chest with his lips smashing into yours again. It was one of the sloppiest kisses you had ever experienced with Sam; it was wet and all tongue and teeth, making you moan into it quietly. He took the chance and sucked on your tongue, his hands travelling down to your ass, giving it a squeeze with his roughened hands. He only pulled away when the both of you were in dire need of air, a string of saliva still connecting your lips. Warm breath tickling your air making you shudder; you heard his voice. It was deeper now, huskier and rougher around the edges. “How about we stick it to him some more?” “Wh..What do you mean?” You asked, gasping when his fingers popped open the button of your pants. “Oh, I think you know what I mean,” he hummed, his pierced tongue following the shell of your ears, knowing it would have your skin break out in goosebumps. “You… you want to do it here?” “What, you scared?” He cooed, his lips now kissing down your neck, chuckling in amusement when you tilted your head to the side in a split second to allow more access. “No, but- is that legal? What if we get caught?” “Nothing I did here is legal, but I promise you, we won’t get caught. Lewis sleeps like a rock, and the others are far enough away...Besides…Wouldn’t it be fun to get caught? Let them know who’s fuckin’ you well? Showin’ them how it’s done?” You almost whimpered at his words, his hand had now found its way into your underwear. You needed to stop this. Both of you could get into serious trouble, and you didn’t want that. The two of you needed to get home and sleep this off and hope that Mayor Lewis never found out who the sprayer was.

You pushed your pants down yourself, shoving Sam’s beanie off his head to run your fingers through the blond strands, your lips finding your boyfriend’s despite the darkness. This time it was you greedily sucking on his tongue, allowing his finger to circle your clit with tiny, quick movements. Sam’s other hand found its way to your ass, gripping the flesh and giving it a gentle smack. You tugged on his hair in return, pushing your body flush against his to let him feel your tits against his chest. Given his laboured breathing, you knew it had the desired effect on him as you allowed yourself to kiss down his neck after pulling away from his lips. “Knew you would come around,” he hummed, his hand pulling from your panties. You whined in return, just to be kissed again. “Shhh…We don’t want to get caught just yet, do we?” He murmured, smacking your ass with both hands now, probably leaving some paint there as well. Being too into it to care, you gave him what he wanted, jumping up just to be steadied by his strong arms and hoisted up against his body. You wrapped your legs around his hips, your crotches now pressed together. In this position you could feel the heat radiate from Sam’s already hardened dick, replacing the fears of being caught with thoughts of being filled to the brim by his pierced cock. “Sam, want you to fuck me,” you whispered, rutting your hips against the bulge restrained by his black pants. Sam groaned quietly, squeezing your ass again while he guided the movements of your hips over his crotch. “And I wanna fuck you, princess. Gonna fill ya up right ‘ere, ‘kay? Let everyone know how to treat a woman.” His words were accompanied by his lips smacking kisses on your neck, sucking a hickey onto the heated-up skin when he deemed it fit. “Pretty please.” Sam chuckled, his eyes flickering to Lewis’s house momentarily to make sure everything remained dark, his hand already moving to push down your panties. “How could I say no when you ask me like that?” It wasn’t like he could have said no even if you hadn’t asked him like that; his penis was painfully hard by now, red and hot to the touch. His tip glistening with pre-cum; the prospect of getting to fuck his absolutely beautiful girlfriend out in the open after just basically committing a petty crime had his cock drooling for you.

He carefully placed you on the hood of the car, smiling to himself when he felt your body shiver as soon as your bare ass met with the cold surface of it. Still, as he allowed his finger to run through your folds, he could feel what a hot mess you were already; wetness coated his finger, and your legs twitched against his hips when he brushed over your clit. As much as he wanted to tease you, he knew he had to be quicker than usual. Lewis did sleep like a rock, but he would be damned if he was stopped before he could have sunken his dick into you. “You ready for me, baby?” His voice was heavy with lust, the pad of his thumb still messing with your clit that was pulsing for his touch. “Mhhhmmm!” you whispered, eyes darting from the mayor’s house back to your lover, your legs quivering already. The cold night air hitting your wet cunt made you want Sam’s cock all the more, and you knew you were basically drooling down there. The excitement you felt wrapped you into a heavy cloud, just like the darkness of the night usually did. You were able to hear the fabric of his pants as he pulled them down, soon followed by a small smacking sound. Your mouth watered as you laid eyes on the outline of Sam’s erection, your pussy clenching around nothing in eager anticipation. You reached your hand out to let the pads of your fingers ghost along his shaft, smiling to yourself when you heard his breath hitch. Sam was an incredibly sensitive man; you had managed to make him cum by teasing his cock alone more than once. You felt yourself clench yet again when you felt the cold metal of his piercing near the tip of his dick, your lower lip catching between your teeth. You wanted him, and you wanted him now. Him massaging your clit had made your heart thump into your chest and your head feel more light, but it had also made you care about nothing but him fucking you. You used your legs that were still hooked around his hips to pull him closer, your fingers wrapping around his pulsing shaft. Leading him to your core, you guided his dick through your folds, mixing precum with your own arousal. Sam was groaning under his breath, and you could feel a shift in your surroundings as he placed his hands right next to you on the hood of the car. “You are so wet for me already, baby,” he whispered. “Just for you,” you moaned, feeling his lips run down your neck again before he sat up, lining himself up with your entrance.

You could feel his fingers intertwining with yours and you gave him a squeeze. He pressed a kiss to your forehead, and pushed his hips forward in one swift movement, filling you to the hilt with ease. It knocked the air out of your lungs, and for a moment, you could have sworn the world was spinning fast enough for you to actually see it, but the stretch felt just so good. Your walls clung to Sam as if your life depended on it, and the urge to scream out his name just to show everyone who filled you up so well was dancing on your tongue. Sam himself struggled to keep up his composure, his head spinning with the way you clung to him. You were so wet and warm; a great contrast to the cold night. And – it was you. You always managed to take his breath away.

Breathing heavily, Sam held the position he was in, massaging your breasts through your shirt. You could feel every inch of him inside of you, and Yoba, you loved it. You grasped at strands of his hair, tugging on it as your hips snapped against him, making him suck in air through his teeth. “Fuck, ya’re so sexy, ya know that? And all mine,” he slurred, leaning down to press another sloppy kiss to your lips. This one was more hasty, though, as he quickly pulled away to push one of your legs against you, almost completely pulling out just to snap his hips forward again, filling you to the brim again. The blond started with a slow pace, trying to show you that he had full control over the situation, but you made it so hard. Your walls were contracting around his cock as if to massage the pierced shaft, drooling all over the already wet skin. With each thrust he gave you he forced a whimper out of your mouth which you desperately tried to keep shut but failed miserably. And the way you looked in the moonlight that had now been revealed by the clouds… it really wasn’t his fault that his thrusts almost automatically picked up the pace, abusing your little cunt like as it deserved. Your back arched off the car, but your ass rubbed against the now warmed-up steel beneath your skin as it began to redden. One of Sam’s hands kept your leg pushed towards your shoulder, while the other worked your clit mercilessly. He was fucking you hard; his cock pounding into you just to prove that he could, balls smacking against your wet lips to underline the obviousness of what you were doing out here. “Sam!” you hissed, your fingers curling in his hair. He was giving you every centimetre of him, and he was giving to you at a mind -breaking pace. If someone had asked you your name, you would have probably given Sam’s, as that was all that left your mouth at this point.

“That’s m’good fuckin’ girl. Takin’ my cock so well, like ya were made for it, hm? Like being stuffed with my cock out here? Yes?” he grunted, giving your clit a light smack as you didn’t respond. You gasped loudly at that, your toes curling in the sneakers that neither of you had bothered to take off. “Mhmmm!” You moaned, but were cut off by a tongue shoved down your throat. You had to close your eyes for a moment; the sensation of Sam mercilessly fucking you in the cold air of the night and him kissing you so roughly made everything feel like you were far away, chasing the high announcing itself with the tightening knot in your stomach. It wasn’t like Sam wasn’t a mess, though. His usually carefully styled hair was completely dishevelled, his cheeks were flush with arousal, and his breathing was just barely covering the grunts and groans of your name. His legs shook as he pounded his drooling dick into your wet cunt, and admittedly, he himself was drooling for you. “’m gonna cum, baby. Ya gonna cum for me? Cum all over me? Show ‘em who ya belong to?” The words all were whispered in your mouth, and you ate them right up with a dazed nod. You could feel the metal of Sam’s piercing rut against your walls as his tip was bullying your cervix, causing your vision to blur with tears. His thumb found your clit again, and this time he rubbed much slower circles onto it with added pressure. Your body felt like it was set under electrical shocks; each time a wave of pleasure subsided, the next one followed. “Lookin’ so pretty in the moonlight, baby,” he whispered, his heart pounding in your chest. He could have sworn whenever he praised you even the slightest, your cunt just sucked him in further, and it drove him insane. Absolutely insane.

“Sam! Sam, gonna cum, oh fuck, cummin’!” you cried out, and this time, your boyfriend didn’t care to quieten you. He was busy staring down at you as you threw your head back, your back arching in again while you held onto his shoulders tightly. Your cunt spasmed around him as you moaned his name, your hips both rutting against him and trying to get away from him as he still bullied into you.

The begging whisper of his name as you rode your orgasm was enough for Sam; his balls tightened as ropes of cum filled you up, his hips shaking as he forced himself to keep moving, feeling the burning need to fill you up to the brim and fuck his own cum into you deep enough you would feel it the next day. His penis twitched inside of you as he fucked himself empty, not slowing down until he had fucked all his cum inside of you, having you shiver beneath him.

The two of you were panting, Sam’s hand finding yours again and allowing them to lock together, his forehead resting against yours as he slowly pulled out from you, ignoring the wetness of his crotch. The two of you smiled at each other silently, when suddenly you saw a light switch on inside the house. You looked at each other again as Sam quickly sprung to action just barely pulling up his pants before he helped you pull up your own. You picked up the cans and the beanies before you were thrown over Sam’s shoulder, the blond running towards his house in a panicked frenzy.

You couldn’t help but giggle like two teenagers as you hid in some bushes, holding one another’s mouth shut. What you didn’t expect was that instead of a full painting of some purple undies on Mayor Lewis’s car, there was half a painting of his underwear, accompanied by the print of an ass from where you had been sitting. The other half of the painting Sam would find later when the two of you had a shower on your farm.

#sdv #stardew valley fanfic #stardew valley #stardew valley farmer #stardew valley smut #sdv fanfic #sdv sam #smut #fanfic #Stardew Valley smut #Sam (SDV) x reader #Stardew Valley Sam x reader #SDV x reader smut #sdv x reader

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nataliescatorccioapologist · 4 months ago

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Season 3 Official Trailer Breakdown

*Huge disclaimer that this show is so unpredictable that all of my guesses will probably be wrong. I know many of these shots are probably misdirections and missing important context.*

Lottie spotted alive and well and looking great (with a bodyguard? Or just a very well dressed man?)

A series of scenes that imply Nat is definitely in some hot water this season. It seems that she might have known where Coach Ben was but didn’t tell the group to protect him, which pisses the rest of the group off enough to question her leadership. Unlike Lottie, Nat wasn’t chosen by the group to lead them, which will likely result in tension and resentment from those who feel like she didn’t earn her new title. The group is shifting towards ferocity and darker morals, so maybe Nat can't meet the group’s needs or take them down the path they want to go on. Maybe the trial we saw in the first trailer was actually related to Nat? But why would Coach Ben be there in the background for that?

With the way Nat looks on her knees in the middle of the group and the vitriol she seems to be facing, I am so interested to see how she makes it out of this alive. However, I do think it’s important to note that, in the close up shot we get of her with blood on her face, there are no actual wounds visible. It could be someone else’s blood!

And related to that, we see the group setting up what appears to be a makeshift table. As we saw with Javi, I wonder if this table is being set up to butcher something (or someone) on. Or just to have a nice innocent family feast on.

I think it’s interesting to note that the clip immediately following this is Nat in what appears to be an apron with her hair pulled back. To me this looks like Nat is going to be the one doing the butchering in this scene (the apron and her hair being pulled back implies that she’s trying not to get blood on her clothes and hair). Could Nat be relegated to Shauna’s role as the butcher after Shauna becomes the new leader? Or is she just filling in for the moment?

It looks like Travis might be getting bit here (by Shauna?) while Lottie laughs. I really have no guesses as to what’s going on here. Maybe Travis stood up for Nat and therefore was attacked? I have a feeling Travis is going to be very conflicted as to where his loyalties lie this season, which might make him a target. The first image could actually be Mari getting the chomp, though, as we have already seen a clip of Shauna biting her hand in the previous trailer.

It looks like Tai is attacking Van here (!!), which I'm willing to bet is Other Tai taking over, and we also see Tai screaming and crying (which I'm guessing is related to her attacking Van?). I'm wondering if this could be some kind of nightmare Taissa is having of losing control and hurting Van, which reflects how she is afraid of herself and her lack of control over her darker alternate. Or it could be her actually attacking Van. And is it just me or does it look like they are wearing the same outfits in the attacking scene and the scene where they're running through the street?

It looks like Shauna (and likely the other survivors) will be receiving some threatening letters and tape recordings from an unknown source (Shauna says that someone is trying to kill them for what they did in the wilderness). It looks like Shauna received both a letter (notably addressed to Shauna Shipman, not Sadecki, which could be a way of hinting that this person knows her past) and a tape? And then it looks like she is trying to secretly play the tape in her bathroom (trying to hide it from Callie and Jeff?).

There's another clip of Mari running from the group again and hiding behind a tree, very reminiscent of when Nat hid behind the tree after drawing the Queen card in S2. Even though Mari does look genuinely scared here, the second clip of Mari laughing with Van in what appears to be the same scene makes me wonder if this is actually not Mari running for her life and rather just a fun game the YJs are playing. Maybe they're literally playing tag or something? Or maybe they were playing a harmless game which quickly devolved into something darker.

A closer shot of Tai holding the gun. This time, we can see she is not as stoic as she appeared in the promotional images we saw before. She's crying, and I feel like that combined with the following clip of blood splattered on some leaves nearby confirms that Tai put to the task of shooting someone in this scene. Mari is in the background, so its not her, so is it Coach Ben? Why is Tai the one chosen to carry it out?

We see more of that scene where Shauna is being pulled down into the lake by someone/something. I truly have no idea what is going on in this scene. I am kind of hoping that its Nat taking revenge and trying to threaten her/drown her but I am 90% sure that's not going to happen. Who do we think would try to drown Shauna?

Pretty sure this is Mari spraying Shauna with some kind of mace! And by the looks of it, Shauna probably deserves it (sorry). Maybe this is following the scene where Shauna is trying to bite Mari's hand and then Mari sprays her with whatever this is to defend herself?

A shot of a hooded figure holding the rifle, with some other hooded figures following behind. To me this looks like some kind of search party, like they are hunting someone down who ran away and hid. I wonder if they're looking for Nat? Especially after Shauna's "We'll give the wilderness what it wants" line. They could also be searching for Coach Ben or Mari.

Tai and Misty about to smother someone to death in a hospital?? I would think this person must know too much about what they did in the wilderness and therefore they have to kill him. Another part of me is really just hoping they're smothering Lottie's dad to death because I know he's going to be in this season and I really hate that guy, but I am also pretty sure that's just wishful thinking on my part.

Things aren't looking too good for Akilah. The expression on her face and the way she's being held up by someone make it seem like she just got shot or stabbed/is actively dying. But not sure if they would be bold enough to show that in the trailer. Whatever is happening to Akilah here, she definitely doesn't look like she's doing too great.

I'll say it: I think we're getting a Pit Girl reveal this season! Or at least we will get up to the point in the storyline right before Pit Girl. These are the same outfits we see the group donning in the opening scene of the pilot episode. We can clearly see the skunk head (referred to as The Hunter in the script) who was standing over the pit trap looking down at Pit Girl's body. It is still pretty impossible to tell who's who. But I think this tells us that Season 3 will go through spring, summer, and into the beginning of the second winter (or we could just be getting flash-forwards to winter). Looks like they've gone full feral at this point, they've got spears and they are definitely hunting someone down. I wonder if this is actually the Pit Girl scene itself, just from the perspective of the hunters now instead of the prey.

This is pretty much confirmed to be Lottie given that we have behind the scenes photos of Simone Kessell wearing this exact dress and heels. Lottie, I am so scared for you, please be okay. hoping she's just passed out or something. Or maybe she just got tired and she's taking a nap...on a dark mysterious concrete floor surrounded by candles.

And last but absolutely not least we have Lottie eating the fuck out of someone with blood all over her face. The cannibalism in this season has been turned up to 11 for sure.

There are some shots that I left out because I ran out of room! There are just so many details in this trailer that I want to unpack, but I tried to pick out the ones I found most important. Some other important shots not mentioned were the arrow in the tree trunk (I'm guessing this is actually the adult timeline since I'm really not sure where the girls would get an arrow like that in the wilderness, unless it belongs to someone outside of the group👀), a Queen card being picked up off the street in the adult timeline, the floating lantern scene we have seen in promotional photos, the girls having a feast, Travis walking with the rifle, and the girls running around their makeshift huts having fun (wholesome).

#sorry if i missed anything!#I will be wrong about all of this mark my words #and i fully expect all of you to pretend you never saw this when that happens #yellowjackets #yellowjackets season 3 #yj #natalie scatorccio #lottie matthews #misty quigley #taissa turner #shauna shipman #van palmer

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clonerightsagenda · 1 year ago

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May I ask what the 'no sex in space' rant is? Zero G sounds like fun :<

The space sex rant is my passion. Possibly because I have no emotional investment in the act so when it gets broken down into weird biology and mechanics by the cruel forces of physics, I find it kind of fascinating.

Sticking this below the cut because it will get long. My primary source is Packing for Mars by Mary Roach, but A City on Mars gets into the same issues. Yes, at least two books have entire chapters devoted to the space sex problem.

Note that this is all assuming microgravity. Many of the problems go away if you have artificial gravity, which we haven't cracked yet beyond building centrifuges. Your Star Trek fanfics are safe. So without further ado, and in no particular order, reasons why you probably shouldn't have sex in zero gravity and it probably wouldn't be that fun if you did:

The infamous 'no boners in space'. Since we're evolved to live in gravity, our bodies compensate for it by putting more effort into getting fluids above our heart. In microgravity, that's unnecessary, so you end up with fluid shift - more fluids, including blood, in the upper body. Your total blood volume also goes down. This would make an erection more difficult, and in fact most astronauts interviewed for whom this would be relevant claimed they didn't get any. The outlier here is Mike Mullane, but having read his memoir, he is the kind of guy who would lie about that. Now, as I touched on while despairingly liveblogging Barrayar, that does not prevent you from having a good time. However less blood flow would presumably mean less sensation in general for anyone below the belt. Or if you stimulated too much blood flow, with the lower total blood volume, perhaps that 'got dizzy because I got horny' joke will actually come true.

In microgravity, body heat and CO2 don't disperse the same way they do in regular atmosphere. Astronauts have to make sure they sleep in well-ventilated areas and are also trained on symptoms of CO2 poisoning. If multiple people are in an area exerting themselves, that buildup will happen faster and would need to be taken into account. It would be super embarrassing to suffocate crammed into a closet for some hanky panky.

The laws of motion are not your friend here. I've seen videos of astronauts pushing themselves across the room with a strand of hair. If you're trying to hold onto someone, you'd either want a relatively small space (maybe not a great idea, see point 2) or hold on really well. One astronaut Mary Roach interviewed suggested duct tape. Perhaps fuzzy handcuffs are critical here. Still you're going to need to put a lot of thought into every move you make.

Space is gross. :( Right now astronauts just wipe themselves down with clothes and dry shampoo. "Skin flakes" is a serious problem. Also we're still not entirely sure why, but astronauts develop awful body odor. According to Mary Roach again, while armpits are famous as a BO source, apparently the crotch is as well, it's just that those regions are typically further from our nose. So idk if anyone's going to want to get that close and personal with anyone else while they're up there. Then again I'm sure people have hooked up in grosser situations.

I'm probably forgetting some tidbits since I just woke up, but in summary, zero gravity sex would need to be carefully choreographed, require some equipment (fan, fasteners), and probably wouldn't even be as enjoyable as its Earthnorm counterpart. It's a good thing that's not what anyone's up there for.

#terrible space facts #does this count as nsfw? idk #talking about sex in a mostly clinical fashion

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tayfabe75 · 1 year ago

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"People talk to us about country music a lot. Now, you can break down our music into country music very easily 'cause that's kind of what it is. I have to admit that, when I was a kid, my favorite record was Wide Open Spaces, the Dixie Chicks. I grew up on those kinds of melodies, so, if you take 'It's Not Living If It's Not With You' or 'Be My Mistake' or any of those songs, they're just country songs … I've always resonated with the south of America. And I think it's because it's their north of England. You know, it has its own vernacular, it's demonized, it's under-funded, it has its own very recognizable folk music."

October 17, 2022: On the Tape Notes podcast, Matty compares a few of The 1975's songs to country music and explains why the genre resonates with him. (source)

#year: 2022 #october 2022 #quote: matty healy #topic: country music #overlap: country music #overlap: the dixie chicks #era: bfiafl #song: be my mistake #song: bmm #song: it's not living (if it's not with you)#song: inliinwy #timestamp: 10:10 #source: tape notes

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yndrgrl · 2 years ago

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yandere! bakugou uses you to get to someone else, but ends up falling for you instead

long ass fic. fem! reader. regular! au. enemies to lovers. lowkey crack! fic. tsundere! bakugou.

warnings: nsfw, noncon/dubcon, manipulation, somnaphilia (idk how to spell it), degrading, bullying, spitting, public sex, hatefuck

a/n: requests are open :) (plz request something, idk what else to write about 😭)

---

"no." that's all you said. so flat, so robotic. that's all you wanted to say.

bakugou was a pushy man, however. "it wasn't a question."

"oh for real?" you gasped, putting both hands to your cheeks to show your faux shock. "no."

"listen, you're gonna help me win over uraraka-"

"no, i'm not, bakugou," you denied once more. you don't even know why he came to you in the first place. it was clear as day that uraraka had a major crush on izuku, & izuku liked uraraka just as much.

honestly, what surprised you the most is that bakugou even had a crush. i guess it makes sense that it would be on uraraka though.

"yes, you are because i have something over you," bakugou threatened lowly.

you scoffed, "oh, do you now?" there wasn't really much he could have over you that would make you help him-

he slammed a journal on the desk, a slam echoing throughout the library. it was your personal diary.

you lunged for your journal, but he snatched it & threw it into his bag. you screamed at him, "how'd you get that, you sicko?!" the only way he would've gotten that was by breaking into your dorm room.

"are you going to help me or not?"

yes, you could've bought a nicer, leather journal with handcrafted pieces of paper, glued recent pictures of your life & decorated the pages with washi tape, stickers, & colored markers, but you didn't want to start over yet. your journal is a year & a half old, every page nearly filled; it's a deep dive into your mind. every overwhelming event in your life, every good memory, every goal you strive to achieve is written down in that book. bakugou katsuki had that all in his possession.

that's why, two days after you found out what he has, you're sitting with your usual study group in your designated, outdoor study area-- plus bakugou. your bluetooth speaker played a playlist shared throughout the group. you sat on the edge with uraraka beside you & bakugou across from you.

"y/n," someone said, catching your attention; it was uraraka. "i didn't know you & bakugou were friends."

you wanted to laugh. you quickly told her, "we're not-"

"we're good friends," katsuki overlapped with his lie. his scowl upturned into the smallest smile when uraraka glanced up at him.

"oh wow, i had no idea! the two of you are so hard-headed, i wouldn't have expected the two of you to get along so great," she said back with a giggle. you loved uraraka, but she's too friendly sometimes.

bakugou, trying to play into the cool-bad-boy character, said, "yeah, well she makes it hard sometimes, but it helps when she has cute friends, i guess."

never in your life did you think you would hear big, tough bakugou flirt in your life.

they continued their conversation that you tuned out, rereading your notes & constructing plans on how to get your journal so you could expose him. everyone was invested in their own stuff. obviously, bakugou & uraraka were talking amongst themselves. momo was explaining to jirou & mina some math topic that they were sobbing about. tsu was on her laptop as she tried finishing a power point that was due the next day.

your chin was propped up by your hand, humming the song that started playing. "um, excuse me," a masculine voice called out. it caught the attention everyone at the table. you heard bakugou scoff, & you could only assume he rolled his eyes.

you looked up at the source of the voice. he was right in front of you, face red, cheeky smile. he was cute in the way that a puppy eager for a treat was. "you're y/n, right?"

"yeah, i am," you confirmed, matching his grin.

he introduced himself by saying his name & told you that he was in the hero-support program. he then said, "i just wanted to say that you're just really pretty."

compliments were one thing. compliments from complete strangers always messed you up though. "oh, th-thanks." you're so awkward.

"so like, maybe i could get your number, & we could go on a date or two?"

you glanced back at all your friends, who all had big smiles as a way of non-verbally saying, "get your manz, bitch!!"

bakugou on the other hand, had an expression of confusion & anger-- the anger was permanent though.

"i mean, i don't give out my phone number, but maybe we can snap or something?"

the guy nodded with enthusiasm, pulling out his phone to give you his username. "cool, well sorry for wasting your guys' time," the boy said to you friends before turning to you & saying, "i'll hit you up later?"

"can't wait," you replied back.

as soon as he was out of earshot, mina squealed, "oh my god! you're such a flirt!"

jirou teased, "you're so awkward, it's literally so funny."

"you're my pretty best friend," tsu croaked with a laugh.

"guys, nothing is gonna happen," you said with a blush. "i'm just gonna be his friend."

"how does it feel to be hit on for the first time, loser?" bakugou yawned, as if he's been hit on ten million times by fan girls & milfs or something.

mina retaliated, "what are you talking about? y/n gets hit on all the time!"

uraraka jumped in, "yeah, what's was that? guy number five?"

"y/n?" bakugou questioned, & all your friends nodded. "that thing? doubt it."

"what's there to doubt? you just saw it," you growled at him, he annoyed you so badly.

after that study session, he got uraraka's number like he hoped for, but he was more curious about you. he never realized until that day how often you do actually get men's attention. bakugou always assumed you were some bookworm, writer nerd who leeched off of his darling, uraraka for popularity & personality.

"i don't get it," bakugou muttered, staring at your figure across the cafeteria. he was surrounded by his friends, who all followed his gaze.

kirishima groaned, "dude, just ask uraraka out already." it was routine that bakugou would say something about how shitty nerd, deku, isn't good enough for her affections or how he would be a better match for her.

"no, it's not that," bakugou corrected, glare not breaking off of you. this caught kirishima, denki, sero, & mina -who sometimes sat with you as well- off guard.

"what are you talking about, bro," denki asked.

"i don't get it. she's not even that cute," bakugou scoffed, slouching back into the bench. his eyes finally tore away from you & awase from class 1-b.

"who?"

"y/n, i think," mina assumed, & when bakugou didn't deny it, they all knew she was right. "why does it even bother you?"

"it doesn't," he said, glancing back at you. awase left you, & in his place was the floating, fighting machine uraraka. he didn't feel the need to say anything about her though, but he felt like he had to. "she's weird, uraraka shouldn't even be friends with her."

"there it is," sero sighed, making all the others laugh.

"shut up," bakugou scowled at them. everyone was used to it, so they weren't that threatened.

"but seriously, bakubro, don't hate on y/n just cuz she's best friends with uraraka, & you're jealous," kirishima told him. he always did this to the blonde. he wasn't scared to tell him off.

bakugou, infuriated, yelled, "i'm not jealous of her, okay? it's just stupid how she has everyone wrapped around her finger, so don't be some dumb, y/n defenders. hop off her fuckin' dick."

"i'm just saying, man. she's super cool, has a useful quirk, & is an awesome fighter," kirishima said, holding his hands as a way to show he was backing down.

"if i were you, bakugou, i would be trying to be her friend," mina said.

mina's words played on repeat in bakugou's head for a week. it was driving him crazy. even though that bridge of being friends was already burned & he kept telling himself he doesn't care, he can't help but want to be closer to you.

he said it was all for uraraka in the end. after all, when they were texting the other day, she said that she would want a future partner to get along with her friends or else it'll be a deal breaker.

bakugou deduced that if he was on favorable terms with you that uraraka would fall for him-- & maybe you too. he felt himself physically jolt when he thought that. why in fucks name would he want you to fall for him? he thought for a second. it's not like he wants to be with you or anything, but he doesn't want you with anyone else.

he somehow found himself in front of your dorm door past curfew. bakugou, at this time, was usually asleep, dreaming about a life where him & uraraka lived happily ever after. however, tonight was different. he didn't feel like thinking about the short-haired brunette.

he doesn't even know why he's outside your door.

in his head, he rationalized that he just loves uraraka so much that he'd give up sleep to become your friend. it was such an urgent situation that he didn't even bother putting on shirt.

he fished in his sweatpants' pocket for a lock pick, the same one he used to break into your dorm the first time to steal your journal. bakugou jammed it into the lock, opening the door with ease. he shut the door carefully before stalking further into your room.

there you were on your bed. swaddled in your fluffy duvet, cuddling a stuffed animal. you must've felt his presence because your sleeping self started shifting & ended up kicking off your blanket. you ended up on your stomach, one leg crunched towards your side while the bottom leg laid straight. you faced away from bakugou.

his breath hitched, something inside him twitched. bakugou couldn't help but stare. he had to admit that you had the body of his dream girl. wait no, his dream girl was uraraka-

he cut his own thoughts off when he saw how your ass looked in that position. the blue hue from the moonlight flowed into the room because, for some reason, you felt no need to close your curtains. he could make the shape of you so clearly. he reached for you.

he told himself that he wouldn't be cheating on his soon-to-be lover. it's just a touch, a friendly touch that friends share with each other.

his fingertips ghosted over your exposed thighs. you were wearing nothing but thong & an oversized band tee. the gentle touches turned into full-palm caresses. her skin is so smooth, bakugou thought. he loomed closer to you, inhaling deeply. she smells so nice.

he climbed over you with the agility of a shadow. the bed didn't even creak. he kneeled over legs, & his hands found your plush ass. he kneaded your bare butt, shifting you so you were fully on your stomach. you remained unmoving; you usually take melatonin gummies right before bed anyways.

bakugou kept groping your ass while his cock hardened into its full length. his hands wandered, thumbs grazing over your entrance. he grasped you, & he spread your ass cheeks apart. you must be dreaming about something dirty because your thong was soaked.

bakugou readjusted himself so he was on level with your ass. "this is just what friends do," he hazily whispered to himself. "friends help friends get better."

he blew on the wet patch, watching your pussy twitch through your panties. bakugou waited for a second, trying to grasp at any sort of self-control but, when you subconsciously propped your ass higher for him, he couldn't help it. he mentally apologized to uraraka before he dove into your ass.

his tongue licked your clothed slit, & he felt how thin your thong truly was. he only got an inkling of what you tasted like, & he craved more. bakugou lapped you juices through your panties, dampening the light grey cloth into a darker shade. his jaw hinged open to allow his tongue to delve further down.

he found your clit through your thong. he pressed his tongue against you, & sleeping, unsuspecting you let out a moan. "oh fuck," bakugou whispered in response, diving back into your pussy.

he pulled your thong up. it rode higher in your ass, then the part the was covering your pussy disappeared between your lips.

he started eating you out again, groaning in pleasure when he finally got to touch your bare skin. he slurped your juices over & over.

bakugou didn't realize that he pulled his sweatpants & boxers down to his knees. he pulled away from your pussy, a string of your juices & his saliva connecting him to you.

on his knees, he positioned his big cock between your ass. a moment of clarity hit him, it wasn't right, he knew that deep down. you really didn't do anything to him.

your phone next to your pillow buzzed. he grabbed it, his hung cock still pressed against you. it was a message from uraraka that read, "wait what did you wanna tell me about bakugou earlier? you looked so concerned haha."

you were trying to tell him? what a fucking bitch, bakugou thought with pure hatred. you were trying to sabotage him with your words, your pretty little mouth, with your dumb, stupid body.

his rationality was once again thrown out of the door. uraraka would want me to show y/n her place, he thought. he climbed off of you. he had to show you what your mouth was meant for. your mouth wasn't meant for snitching, it was meant for sucking cock-- his cock.

bakugou turned your head & pulled it at the edge of the bed. thankfully, it's like your body already knew what was gonna happen, your mouth was already agape. he pushed his tip past your lips. your tongue lazily stroked against his length. he moved his dick in & out of your throat, & yet somehow you still remained motionless.

his control turned into animalistic thrusts, gagging you over & over, & you still stayed asleep. "fuckin' stupid bitch," he groaned, throwing his head back. your throat expanded with each thrust to accommodate his thickness & length.

spit & his precum spilled out of your mouth & onto your silk pillowcase. because you were sideways, his heavy balls slapped against your face, nose shoved into his pubes. you gargled & gagged in your sleep, but you still handled him so well.

his passionate angry finally swelled up & shot down your throat. even though he was cumming, he kept half-assed thrusting in your throat, coating every inch with white. all for uraraka, remember? because bakugou completely forgot what drove him to do what he just did.

the next day, as you entered the classroom, he heard you tell to uraraka about how the melatonin gummies really worked. "yeah, i was completely knocked out! i drooled so much, my pillow was drenched. it was disgusting."

"really? i know that they're good, but i never drooled that much. maybe you really needed that sleep."

as they passed bakugou's seat, uraraka waved at him with pink cheeks. "hey, bakugou."

"uraraka," he said back to her. he watched your smile drop into a frown, your eyes rolling. he was winning over uraraka, he knew that, but he didn't feel satisfied. he yearned the banter between the two of you more than uraraka's affections. "what was that, idiot?"

uraraka was shocked at first, thinking he was talking to her until she heard you shoot back, "shouldn't you be watching ochaco instead of me?" if he didn't know any better, it sounded like you were jealous.

"y/n, let's calm down," uraraka sheepishly suggested, but it only angered you more. why was she on that weirdo's side? why wasn't she on your side? even after you told her what he did to you, she didn't even care; in fact, she seemed flattered.

"yeah, calm down," bakugou chimed in with that disgusting, cocky smile, "go in the back & drool all over your desk."

"eavesdropping now? you really are obsessed," you huffed, marching towards your desk that was, in fact, in the back of the classroom. you thought uraraka was right behind you, but by the time you turned around to sit in your chair, you noticed her take a seat next to bakugou.

the bell rang, & in rolled your sleepy teacher, mr. aizawa. he called roll, held an hour long lecture while you took notes, then assigned a 4-page essay with three sites sources. after he was done, he questioned, "now that we're done with that, what is happening today?"

iida's hand shot up along with his entire body.

"go ahead, iida."

"the 1a students from ketsubutsu academy are training with us today." oh right, you completely forgot about that. you were not in the mood to socialize with those uptight, cocky rich kids today. even though you took the melatonin gummies the night before to ensure a goods night sleep, you got everything but that. you felt like you were melting all night, & now you just felt restless.

"good, iida is correct," mr. aizawa confirmed. "they're already waiting in training facility a, so get dressed & be there in 10 minutes."

"yes sir!" & they all scurried out of the classroom.

your entire class entered the facility in their hero costumes. like mr. aizawa said, the visiting students were already there, stretching & warming up. mr. aizawa, once he noticed his entire class, announced that on the white board was everyone's names & assigned training group for the day.

everyone, including the other class, crowded around the board to find their names. "y/n!" your best friend, who you were extremely pissed off at, cheered. "we're all in the same group!" we... all?

you look at uraraka to see who she was referring to. "it's just my luck," you groaned, of course it was bakugou. "i just had to be put in a group with you!" you wanted to shout at everyone. you wanted to shout at uraraka for being swooned by a creep, you wanted to yell at mr. aizawa for putting you in a group with bakugou, & you wanted to scream, jump, yell, & hit bakugou over the head with a bat just for being the aggravating, prideful bastard he is.

"we just had to have a weak fuckin' nerd in your group?" he said to uraraka, but glanced to his side to meet your eye. your fuming expression really got him going. "there's no one more annoying than you-"

"are you y/n?" someone questioned. that just be the last person in your group.

you looked up at him, & with a half-hearted smile, you said, "i am."

"nice, i'm in your group," he told you, "i'm yo shindo. & i must admit, i was not excited for this whole group training thing until i saw a pretty girl like you was in my group."

oh, so he was a flirt? honestly, you didn't mind at all; you needed something to distract you & what's a better distraction than a buff playboy?

"honestly me too, but i think it'll be fun with you," you said back, but you overthought what you said. was it cringy?

bakugou was watching the whole exchange, brows furrowed, vein popping through his skin on his forehead. uraraka noticed, & because with the new-found knowledge that bakugou really liked her, she stroked his arm & asked, "are you okay?"

he looked at her with the same look of anger, now mixed with discomfort, & shrugged her off. "yeah, i'm fine."

he turned his attention back to you & shindo. bakugou's hands sparked ever so suddenly when he took in the scene in front of him. you were eating up all of shindo's praises & brags. your hands tried to squeeze around his biceps but you just couldn't connect your hands. "wow, your muscles are so big~ you must be strong."

"of course i am, i gotta be so i can impress pretty girls like you after all," he winked at you. for a moment, you glanced at bakugou, feeling his harsh glare, & he looked like he was about to explode. you didn't know why though, doesn't he have what he wanted already? he has uraraka right there, & yet he's still mad at you. he still owes you your journal too, so the two of you were not on good terms.

"sorry, i didn't mean to get carried away," you told shindo, pulling your hands away.

as the two of you walked towards uraraka & bakugou, shindo said, "i don't mind, you can touch me wherever, whenever."

you couldn't help but laugh out loud. "god, you're such a flirt!"

"you seem to love it though-"

"y/n, would you stop being a hoe for one second & train like you're supposed to?" bakugou said to you, hands stuffed inside his pockets, looking so nonchalant. you blinked a moment, & you waited for uraraka to say something or to rush by your side. she didn't do any of that

all she said was, with a giggle & eyes staring at bakugou, "that was mean." yeah, it was. it really was. the tips of your ears burned in humiliation, your palms became sweaty, & your breathing was uneven. after uraraka was done ogling bakugou, she looked at you, & her eyes widened. never in her entire childhood friendship did she see that expression on your face.

"dude, i don't know who think you are, but don't talk to her like that," shindo said, stepping forward & slightly in front of you. your tense shoulders relaxed just a bit-- someone is in your corner.

the amused bakugou turned pissed off when your new, little boy-toy went to your rescue, even though he knew you didn't need rescuing. "h-hey, let's save it for training, yeah-"

"i'll talk to y/n however i want, damn weak fuck," bakugou replied, copying his movements & stepping forward. "you're just like her: fucks anything that moves, huh?"

"bakugou-"

"that's it!" you shouted as you shoved bakugou away from shindo. the three of them -bakugou, uraraka, & shindo- were shocked to say the least. he pushed you too far all for entertainment & some obsession. "you're such a goddamn coward, you know that? all you are is a bully who's play-pretending to be a hero! you're such a control freak that, even after you stole my best friend, you still need to have something over me, so you won't give me back my stupid journal. & worst of all, you just stare & glare & act like i'm scum when you're the actual piece of shit! & you're not even ashamed! you want everyone to know! i hate you so much!"

after your tangent/rant, you walked away, quirk firing left & right. you didn't need to hear whatever bakugou was going to say next, it was probably be something so degrading that winds up in her next journal entry.

the three of the gawked at you, watching you walk straight to the state-of-the-art punching bags. uraraka was the first to speak. "i'll talk to her. i've never seen her that... mad. it was like she was a whole new person-"

"you guys are terrible classmates. there was no reason to say any of that. i'll go talk with her," shindo cut uraraka off. before either of them could do anything, bakugou was already strutting towards you, gauntlets sparking.

"who does she think she is?" they heard him utter. they were out of earshot, however, when he said, "making me fuckin' hard then walking away. damn tease."

he caught up to you in no time. you were almost to the punching bags when he grabbed your wrist, his hand was warm & a stinging sensation engulfed your wrist.

uraraka & shindo watched as the two of you screamed at each other, you shoving him, him glaring at you, you throwing a piece of your costume at him. honestly, it would've been comedic if it wasn't for bakugou pressing your buttons.

"what are they? toxic exes or something?" shindo questioned as they began to walk towards the fighting two.

"oh, no, not at all! i would've known," uraraka told him, "they're just... um... friends i think. maybe enemies."

"i can tell that much."

when the actual training began, you & bakugou tried to separate from each other. you were paired with shindo & him with uraraka. but, because of the conditioning & the way today's training was set up, it was inevitable that you two would interact again.

like at lunch, the two of you sat across each other at a table, eating your lunches. you didn't bother speaking, you didn't even want to see bakugou ever again, after all.

or at the water fountain, when he said, "hurry up." & so you took longer, even though you weren't thirsty anymore.

or when you had to rotate partners & bakugou was your only option. the two of you, against the rules, threw quirk-backed attacks each other.

& that's how you two ended up being excused early. while everyone else was getting better, you were locked out & forced to change back into your school uniform, & the only person with you was bakugou.

when you left the changing room, he was leaning against the wall-- almost like he was waiting for you. "you done being mad at me?"

"no, i'm not, & i'll never stop being mad at you," you said, walking right past him. he followed close behind you.

"listen, i didn't mean to embarrass you. i didn't know you'd get so pissy."

"what did you think was gonna happen?!"

"i don't know, okay?" the two of you were yelling at this point.

"you have ochaco, can you please just give me my journal & leave me alone? you two can be happy far, far away from me," you said, cursing yourself for choking up. you mentally prepared for the teasing & "witty" comebacks bakugou had in store.

instead, he asks, "are you jealous?"

"what?"

"are you jealous?"

you scoffed, opening the door to the dorm building. "don't flatter yourself, big guy."

"i'm being serious," he said to you as he leaned on the counter. you were so hungry that you didn't really care bakugou was watching you cook. "because i was."

"what are you getting at, bakugou?" you asked, putting a pot of water on the stove, bringing it to a boil.

"i was so jealous today," he said.

"of what?"

"of damn shindo kid," he responded back. your angered expression contorted into a puzzled one as you looked up at him. when you didn't reply, he continued, "if i knew stupid one liners got your attention, i would've been doing that sooner."

you couldn't believe what you were hearing. the guy who's been making the past few months hell was confessing something you never expected. "what about ochaco, hm? i thought you needed her to breath or something."

"yeah, i guess i liked her at first, & that's why i needed your help," he admitted. he then fished a journal, your journal, out of his bag & stood up. he walked towards you, hand outstretched with your beloved diary in his grasp. you reached out for it when he lifted it above your head with a taunting smirk. "but then i realized that i wanted you this entire time."

--nsfw starts here--

"you're just saying stupid things to get a rise out of me, bakugou," you rolled your eyes at him. you placed a hand on his chest as you jumped for your journal, fingers touching it ever so lightly. it was just out of reach.

you thought you had it, he brought the notebook down. however, you didn't have it. he threw it on the counter behind you, & the hand the was holding it snakes around your waist. his other hand grabbed your face, stroking your cheek as he kissed you.

you don't know why, but you found your arms around his neck, pulling him in closer. without breaking your lips apart, he pushed you against the counter, pinning you between his two arms now. his tongue, the tongue that craved you since that unknown night, licked your lips before fighting yours for dominance. his thigh was between your legs. he pressed your core against him, & you moaned.

bakugou shut off the burner during your kiss. he was expecting the two of you to escape into his room, but when you threw off his tie & unbuttoned his shirt eagerly, he knew he needed you right then & there.

the two of you broke your kiss, & he placed his head in the crook of your neck. "you get off on making me jealous, don't you? that's why you were flirting with stupid shindo?"

"wh-whatever, you jerk. you act like you weren't basically grinding on ochaco in front of me all the time?"

bakugou laughed into the nape of your neck. "grinding? all we did was talk."

"same fuckin' thing," you growled in frustration.

"i didn't know you were so jealous of her."

"oh, fuck off, asshole," you said. you were quickly shut up by him biting your sensitive spots all over your neck, sucking & licking to create hickeys.

he took off your tie & ripped open your shirt. he unhooked your bra, throwing it god knows where. "take this fuckin' thing off," he uttered, helping you out of your torn clothes.

"h-hey!"

"shut up, & take it. i'll buy you a new one," he said before fondling your breasts. you bit your lip as your grinded against his meaty thigh. your wetness, even though you had panties on, began staining his slacks.

"bakugou~" you whispered, voice shaking.

"it's katsuki tonight, dummy," he told you, turning you around & bending you over the counter. you brushed your journal out of the way as you pressed you tits onto the cold, granite countertop.

with three fingers, he pinched your pussy through your panties so his middle one snuck in between your lips. "stop being a tease & fuck me already." if only you knew.

"be patient, woman," scowled katsuki, smacking your ass. he set of small sparks when he hit your cheek. "you can't take this cock yet. i'm doing you a goddamn favor."

you doubted him, you really did. he was so cocky & arrogant, how could you not? "i can take your tiny dick any day, don't underestimate me."

katsuki let out a hearty, sarcastic laugh. "you really think so, dumb bitch?" he unclicked his belt, dropping his pants & boxers around his ankles. he started to grind against your ass, & you swore up & down it felt like deja vu.

you gasped as you felt his length between your ass. you've had dreams about cocks that big, sure, but you didn't know they actually existed. "wh-what the fuck?"

"what? still think you take me? still think i'm tiny, sweetheart?" katsuki taunted as he took off your panties. he pressed your thighs around his cock, the base of it stimulating your swollen clit. he thrusted gently; it was so against his brash, aggressive character.

you were not one to back down, so at least you stayed true to your character. "yeah, i can take your skinny ass dick-" you were cut off by katsuki spreading your ass & shoving his girthy length into your throbbing heat. you screamed, tongue hanging out of your mouth as you tried to adjust to him.

he wouldn't let you though. katsuki, once inside your tight pussy, started pounding you. he shoved his cock head into your g-spot over & over, making you quiver & pulsate around him. "sl-sl-slow d-down!" you begged between thrusts. in response, he pulled your head back with your hair. you arched uncomfortably; your pelvis was still against the edge of the counter, but your head was pulled so far back that you could see katsuki's face.

"you think you're all that? you think you can just flirt with all these other guys in front of me? you fuckin' slut," he spat into your mouth, not that it mattered since it mixed with your drool & fell out of your mouth & onto your cold body. "i own you now. i own this mouth, i own this pussy, i own this ass, i own you."

"f-f-"

"c'mon, pathetic whore. say it."

"fuck y-you, katsuki." oh, you were a brat through & through clearly.

katsuki has had enough of your retaliation. you were supposed to be a brainless bimbo begging for more, yet here you were, surprising him again. any bit of consciousness you had, he was going to fuck out if you.

he, without pulling out, let go of your hair & made you stand up. he grabbed both your legs & hoisted you into this air. his hands found their way behind your head, & you couldn't move. you were nothing more than a cum dumpster to him now. "you know, if anyone walks through that door, they're gonna see you folded in half, tears streaming down your face with my cock balls deep in your dripping pussy, & they'd realize how much of a slut you are, & they'd know that you're all mine."

you didn't mean to, but your pussy clenched around his cock tighter as more of your juices squirted onto the linoleum floor. "oh, you like that, princess?"

you moaned in response, eyes rolling to the back of your head when he praised you. "aw, how pathetic. you must love when i call you cute nicknames & tell you how good you're doing." with whatever head movement you had, you nodded.

"that's a shame because you've been nothing but dirty, i can't treat you like a good girl until you deserve it."

"p-please! i'll do anything!" you cried out, then you started twitch uncontrollably around him. a white, hot wave of pleasure washed over you as you creamed all over his cock. he wasn't done yet, he still abused your cervix, making you beg for him to stop, or at least slow down.

his thrusts turned rapid as he started to groan about how you were all his, how he wasn't going to let any other man look at you, how he would be the only one you ever think about. you knew that was all true. "y/n, you fuckin' bitch, i hate you & your pretty, little face. take it all," he yelled as he unloaded his load into your tight pussy.

you screamed in overwhelming pleasure, squirting all over him once again. the two of you caught your breaths. he set you down once his cock finally stopped twitched, & he spun you around to embrace you. "i'm so sorry, y/n. i promise i'll be the best boyfriend in the world, just give me a chance. i know we're enemies or whatever, but i don't wanna be that anymore, & i don't want to be whatever this is; just fucking like we hate each other then go our separate ways." you've never seen this side of katsuki before.

"i-i'd like that, i'd like to be your girlfriend."

you hated him. you hated how he made you feel. you hated how he infected your mind, how he ruined you for any other man. you hated how you knew you needed him.

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